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Artist: De La Soul Album: De La Soul Is Dead


Year: 1991
Duration: 0:0-1

A Closer Look at De La Soul Is Dead: A Critical Review of the Album


De La Soul is a legendary hip hop group that has been a staple in the genre since the 1980s. Their second album, De La Soul Is Dead, released in 1991, is often considered their magnum opus. The album was a departure from their debut album, 3 Feet High and Rising, as it tackled more serious and introspective themes. It was a critical and commercial success, but let's take a closer look and see if it truly lives up to the hype.

Before we dive into the album itself, let's take a brief look at the history of De La Soul. The trio, comprised of Posdnuos, Trugoy, and Maseo, formed in Long Island, New York in 1987. They were known for their unique style that incorporated elements of jazz and funk, along with their playful and positive lyrics. These characteristics were evident in their debut album, which was a critical and commercial success. However, De La Soul Is Dead took a darker turn, as the group tackled themes such as death, the music industry, and their own identity.

The album's sound is a mix of funky samples and hard-hitting beats, with the group's signature flow and wordplay. One of the most innovative parts of the album is the skits that appear throughout. These skits, featuring Grave Diggers, a fictional group that taunts De La Soul, add a layer of storytelling to the album. They also serve as a commentary on the music industry and its treatment of artists. Another standout aspect of the album is the guest appearances. The album features appearances from MF DOOM, Prince Paul, and Biz Markie, among others.

Now, let's talk about the best songs of the album. The opening track, Intro, sets the tone for the album with its eerie sound and lyrics about death. Oodles of O's is a standout track with its infectious beat and playful lyrics. Millie Pulled a Pistol on Santa is a powerful track, tackling domestic abuse and featuring a haunting sample from Steely Dan's Do It Again. My Brother's a Basehead sees the group addressing drug addiction, and A Roller Skating Jam Named Saturdays is a fun and funky track that provides a contrast to the darker themes of the album.

While there is no denying the impact and importance of De La Soul Is Dead, it is not without its flaws. Some of the skits can drag on and feel unnecessary, and some of the songs can feel repetitive or disjointed. However, these criticisms do not detract from the overall greatness of the album.

In conclusion, De La Soul Is Dead is a true masterpiece of hip hop and a must-listen for any fan of the genre. The album's themes and messages are still relevant today, and the group's unique style and flow make it a timeless classic. While it may not be perfect, it is still a shining example of what makes De La Soul such an important and influential group.