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Artist: Barrington Levy Album: Divine


Year: 1994
Duration: 0:0-1

A Deep Dive into Barrington Levy’s “Divine” – A


Barrington Levy is a Jamaican artist who has been in the music industry for over four decades. He was one of the pioneers of the dancehall genre, with many successful albums to his name. The album Divine is one of his more recent releases, which came out in 2015. In this post, we will explore this album in-depth, analyzing everything from its genre to its most innovative parts and the best tracks.
Firstly, let’s talk about the genre of the album. Divine is a reggae album, which is the genre that Barrington Levy has always excelled in. The album has a mix of lover’s rock and dancehall, with the latter being more prominent. This fusion of genres allows for an album that has a bit of everything for the listener. The album also features collaborations with other artists like Damian Junior Gong Marley and the Cataracs.
One of the standout features of Divine is the best song on the album, which is Rosie. This track was released as the album's lead single, and it quickly became one of the most popular tracks. The song has an infectious beat and a catchy chorus, making it an instant hit with listeners. Other notable tracks on the album are Gravy Train, Siren, and My Heart Ain't Gonna Change.
The most innovative part of this album is the fresh take it has on the dancehall genre. Barrington Levy is a veteran in the genre, but he manages to keep the album sounding current while still retaining his signature sound. The album features some heavy beats and pulsing rhythms that will have you nodding your head along in no time. The lyrics are also well-crafted, with Barrington Levy’s smooth voice flowing effortlessly over each track.
However, there are some criticisms to the album. One of the criticisms is that it is not very experimental with its sound. This album is a reggae/dancehall album, and it does not stray too far from what the listener expects from an artist like Barrington Levy. Additionally, some might argue that the album does not push the boundaries of either genre.
All in all, Divine is an excellent album that showcases Barrington Levy’s talent and experience in the music industry. It is a well-produced album with a great mix of tracks that will appeal to both dancehall and lover's rock fans. Plus, the fresh take on dancehall makes it stand out from other albums from the genre. While it is not the most experimental album, it is still a quality release that deserves a place in any music listener’s collection.