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Artist: Caetano Veloso Album: Cores, nomes


Year: 1982
Duration: 0:0-1

Cores, Nomes: A Critical Review of Caetano Veloso's Album


Caetano Veloso is a legendary Brazilian musician, known for his contributions to the Tropicalismo movement of the late 1960s. He has released over 50 albums over his career and has played a vital role in shaping the music of Brazil. In this blog, we'll be taking a critical review of his album, Cores, Nomes.

Released in 1982, Cores, Nomes is an experimental album that blends traditional Brazilian music with rock music and avant-garde influences. It's an album that showcases Veloso's versatility as an artist and his willingness to take risks. So, sit back, relax, and let's dive into the world of Cores, Nomes.

The album's title track, Cores, Nomes, sets the tone for the entire project. The song starts with a hypnotic drumbeat that slowly builds up, eventually leading into a cacophony of instruments. Veloso's vocals come in and take center stage, but it's the instrumentation that steals the show. The song is a surreal journey that takes the listener to unexpected places.

One of the standout tracks on the album is Sampa. The song is an ode to the city of Sao Paulo, with Veloso singing about the city's vibrancy and beauty. The track features a catchy melody and a simple chord progression, but it's the lyrics that make it special. Veloso's love for Sao Paulo is infectious, and it's hard not to get swept up in the energy of the song.

Another highlight of the album is De Conversa. The song has a Brazilian jazz feel to it, with Veloso's vocals floating over a smooth jazz groove. The track is a showcase of Veloso's ability to croon, and it's a testament to his versatility as an artist. The lyrics are about the art of conversation, and Veloso's effortless delivery adds to the song's charm.

The most innovative part of the album is its use of electronic instruments. Tracks like Lua e Estrela and Caminhando e Cantando feature electronic drums, synthesizers, and other electronic instruments, which were uncommon in Brazilian music at the time. Veloso seamlessly blends the electronic elements with the traditional Brazilian instruments, creating a unique sound that was ahead of its time.

While Cores, Nomes is an excellent album, it's not without its flaws. The album's experimental nature might turn off some listeners, and some tracks feel more like sketches than fully fleshed-out songs. Additionally, the lyrics can be cryptic at times, which might make it hard for non-Portuguese speakers to connect with the songs.

In conclusion, Cores, Nomes is a groundbreaking album that showcases the artistry and talent of Caetano Veloso. The album's blending of traditional Brazilian music with rock and experimental elements is impressive, and it's a testament to Veloso's willingness to take risks. While the album may not be for everyone, it's worth checking out for anyone interested in exploring the music of Brazil or anyone looking for something new and different. This is a must-listen for fans of Veloso and anyone who loves innovative music.